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#TheUmbrellas, 1991, is a temporary work of art realized in two countries at the same time. #ChristoandJeanneClaude reflected the similarities and differences in the use of the land in two valleys in Japan and the USA. 1,880 workers began to open the 3,100 umbrellas in #Ibaraki and California, in the presence of the artists at both sites. We are thrilled to honor Christo and Jeanne-Claude at the #Performa2018Gala on November 1, 2018. Photo by Wolfgang Volz. #PerformaNYC #LiveArtHistory

#TheUmbrellas, 1991, is a temporary work of art realized in two countries at the same time. #ChristoandJeanneClaude reflected the similarities and differences in the use of the land in two valleys in Japan and the USA. 1,880 workers began to open the 3,100 umbrellas in #Ibaraki and California, in the presence of the artists at both sites. We are thrilled to honor Christo and Jeanne-Claude at the #Performa2018Gala on November 1, 2018. Photo by Wolfgang Volz. #PerformaNYC #LiveArtHistory

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Wool Republic Boutique Blazer winter Banana Available tomorrow, August 28: Curator and art historian #RoseLeeGoldberg’s new book ‘Performance Now’, charts the development of live visual art across six continents in the years since the new millennium. Learn more at performa-arts.org and pre-order #PerformanceNow from @thamesandhudson. #LiveArtHistory #PerformaNYC

#keyongaskin in conversation with #EssenceHarden for #PerformaMagazine "i prefer to walk into a performance with just my body, if i use objects, they all need to hold weight and have multiple layers of access. The cast iron skillet i used in this is a thing is a literal black hole. It’s also a feminist weapon: my grandmother threatening folks with hot grease out of the cast iron, or it being the first weapon she’d pick up if somebody came into the house, and yet nourishment comes from it." Read the entire conversation on Performa Magazine.

Please join us at 7pm on Saturday, August 25 for #KellyNipper’s 'Terre Mécanique - Exploration A' at #JessicaSilvermanGallery. The 30-minute performance is an excerpt from the artist’s #TerreMécanique, a #Performa17 commission created with the #BrownArtsInitiative and developed in collaboration with the #MITSelfAssemblyLab. In 'Exploration A', Nipper investigates objects as moving macro-environments, body parts as a means of scaffolding, and costumes as vehicles for transforming bodies into depersonalized geometric structures. We hope to see you there! @baibrownu @jessicasilvermangallery @kelly.nipper